Sunday, March 29, 2020

Speech Analysis On Henry Iv Part One free essay sample

Speech Analysis On Henry Iv, Part One # 8211 ; Act 3, Scene 2 Essay, Research Paper Henry IV # 8217 ; s talk to Hal in 3.2 provides the audience with much more than an illustration of Henry # 8217 ; s relationship with his boy. It besides serves as an scrutiny of the kingship and its altering function. Henry # 8217 ; s efforts to knock Hal unwittingly draw many analogues between him ; his boy, and his predecessor, Richard II, and while he intends to uncover Hal # 8217 ; s defects, he chiefly reveals his ain. He begins by knocking Hal # 8217 ; s pick of associates, viz. the knaves who inhabit the tap house. He claims that if he had been close friends with such people, Richard would still be King of England. In fact, he blames Richard # 8217 ; s hapless picks of advisers for his ruin. By blandishing Richard for their ain terminals, alternatively of allowing him cognize the true province of personal businesss in England, they kept him unmindful to the turning dissatisfaction of the public. We will write a custom essay sample on Speech Analysis On Henry Iv Part One or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page With shallow fools and roseola bavin marbless, Soon kindled and shortly burnt ; carded his province ; Mingled his royalty with cap # 8217 ; pealing saps ; Had his great name profan vitamin D with their contempts And gave his visage, against his name, To laugh at matching male childs and stand the push Of every beardless vain comparative ( 3.2.61-67 ) ; While Falstaff and his comrades may be # 8220 ; vulgar company # 8221 ; ( 3.2.41 ) , nevertheless, they are, in fact, precisely the type of company with which Henry was associated by Richard, who greatly feared Henry # 8217 ; s # 8220 ; wooing to the common people # 8221 ; ( Richard II, 1.4.24 ) . Rather than avoiding people like Falstaff, he sought them out and won their Black Marias. This disparity serves to sabotage Henry # 8217 ; s statement that Hal should divide himself from the common people every bit much as possible. The contradiction between Henry # 8217 ; s lift to the throne by public sentiment and his suggestion that Hal avoid going involved with the lower categories can be interpreted in a figure of ways. One misanthropic position might claim that Henry subconsciously fears his boy going popular plenty with the people to be able to subvert his ain male parent, but this is improbable when we consider that Hal has shown no desire to take on the duties and power of the kingship therefore far in the drama. Another possibility is that Henry is seeking to legalize his boy # 8217 ; s hereafter kingship by returning the function of the male monarch to that of an stray God. While he was forced to return to other agencies to go up to the Crown, he desires that his boy and the remainder of his line will be viewed as elevated Lords who are fit to govern England. The most likely possibility, nevertheless, given the remainder of the address, is that Henry, like Richard before him, is blind to his true state of affairs. Richard refused to admit, until it was excessively late, that it might be possible to govern without godly authorization, and while Henry, by necessity, realizes that it is possible, he ignores the true deductions of this and clings to the impression that the male monarch must be someway different from the remainder of the public. Once once more, nevertheless, his ain words deny what he is stating. Immediately after reasoning that Hal must, in order to turn out himself a male monarch, set himself apart from people such as Falstaff, the male monarch acknowledges that it was merely the sentiment of such people that prevented him from being left . . . in reputeless ostracism, A chap of no grade nor likeliness ( 3.2.44-45 ) . Had he tried to maintain himself isolated from the lower categories, he would hold been forced to fall in them, because, at bosom, he is no different from any other individual, irrespective of their societal position. As Richard finally realized at the terminal of Richard II, the male monarch, merely like a provincial, is no more, and no less, than a human being. Henry so addresses his ain personal history with a transition which closely mirrors Hal # 8217 ; s earlier address in 1.2. Yet a comparing between the two addresss reveals many differences which aid to separate Henry from Hal. Both speeches topographic point great importance on, # 8220 ; being seldom seen # 8221 ; ( 3.2.46 ) , but they do this in different ways. Henry cites this as another ground for Richard # 8217 ; s ruin, claiming that his overexposure to the populace forced them to go, # 8220 ; glutted, gorged, and full # 8221 ; ( 3.2.84 ) of him. On the contrary, Henry, by staying out of general sight, was able to remain, # 8220 ; fresh and new. . . ne # 8217 ; er seen but wond # 8217 ; red at # 8221 ; ( 3.2.55,57 ) . Henry was limited, nevertheless, by his failure to recognize the extent to which the kingship was altering. It was no longer determined by the will of God, but by the accomplishment of an histrion. Henry, nevertheless, clings to the one, recognized function of God # 8217 ; s chosen courier and refuses to accept the possibilit Y of a male monarch with many faces. Hal, on the other manus, has realized the potency to utilize many functions to increase his power. His male parent was forced to go forth the state in order to be rarely seen, but Hal is able to make different functions to conceal himself behind. Therefore, his # 8220 ; Henry V # 8221 ; self is rarely seen behind the # 8220 ; Hal # 8221 ; function he portrays in the tap house. This is simply another illustration of the altering function of the monarchy, and it is made even more expressed when we examine the differences between how Henry and Hal view themselves. The best gage for this is the standard royal metaphor of the male monarch as the Sun. This was used extensively by Richard, who claimed that the obstructions he faced were like clouds temporarily befoging his royal glorification. Both Henry and Hal bargain this image, but in different ways. Henry implies that he possesses, # 8220 ; sunlike majesty # 8221 ; ( 3.2.79 ) , but he neer specifically compares himself to the Sun. The closest comparable metaphor is that of another heavenly organic structure, a comet. This is an interesting image for many grounds. A comet serves as a type of false Sun. It is greatly admired, but non about every bit bright as the true Sun. It is besides impermanent, frequently non re-emerging for old ages at a clip. Hal, nevertheless, does compare himself extensively to the Sun, despite the fact that he has non yet become male monarch. His return to the usage of Richard # 8217 ; s metaphor is non meant to connote that he has returned to Richard # 8217 ; s beliefs about the kingship, but instead that he has formed a definite system of beliefs sing whom the male monarch truly is. Richard # 8217 ; s beliefs, every bit good as those of the male monarchs before him, were based on the thought of the Godhead right of male monarchs. Hal has based his beliefs on the thought that the kingship is a function to be played by an histrion. Henry, nevertheless, is caught in the center, as he battles to accommodate the traditions of the yesteryear with the world of his current state of affairs as a supplanter king. Of the three, he is the uneven adult male out. Richard and Hal both inherited their thrones lawfully, but Henry . . . stole all courtesy from Eden, And dressed myself in such humbleness That I did tweak commitment from work forces # 8217 ; s Black Marias, Loud cries and salutes from their oral cavities Even in the presence of the crown vitamin D King ( 3.2.50-54 ) . His actions lack the aristocracy typically associated with a male monarch. His promises to take part in the Campaigns go unrealized, and when he is faced with conflict, he hides behind others. Of the three, he is the lone male monarch to truly hide. When Richard is faced with gaining control by Henry # 8217 ; s military personnels, he boldly goes to run into them, and while Hal hides his true ego, he is simply concealing behind another version of himself. Henry concludes his talk by assailing Richard # 8217 ; s reign. For the most portion he continues to warn Hal that mixing with common common people will turn out detrimental to his kingship by claiming that Richard # 8217 ; s insisting on environing himself with unworthy people was responsible for his ruin. As earlier, his accent on Richard # 8217 ; s popularity with the peasantry rings faithlessly when the audience remembers that it was Henry who was the favourite of the lower categories, while Richard was considered a autocrat. Even as he faults Richard, nevertheless, Henry manages to continue the holiness of the monarchy. Regardless of his obvious disfavor for Richard, he refuses to wholly disrepute him. As a former King of England, he deserves some part of the regard that goes with the rubric, and as a consequence, Richard remains a # 8220 ; great name # 8221 ; ( 3.2.64 ) , and a excess of # 8220 ; honey # 8221 ; ( 3.2.71 ) . If Henry were to discredit the monarchy, he would put on the line discrediting himself and his boy, and while he does wish to discredit Richard, he must be certain to walk the all right line between where Richard ends and the monarchy begins. One of the most of import grounds we use linguistic communication is to convey the truth, and frequently this intent will be accomplished whether the talker is cognizant of it or non. Henry # 8217 ; s concern for his boy and for his land are clearly apparent in this transition, but what is most surprising about this transition is how small we learn about Hal and how much we learn about Henry himself. He has changed since the minute we foremost encountered him in Richard II as the idealistic immature Bollingbroke, but in some ways, he is precisely the same. In both dramas, including the drama named after him, he is a secondary character, or an instrument instead than the chief focal point of the drama. He serves chiefly as a counterpoint and mensurating stick by which we examine Richard and Hal, and it is merely through a close scrutiny of some of the things he says that we are genuinely able to derive an penetration into his ain character.

Saturday, March 7, 2020

Communication in the Courtroom Essays

Communication in the Courtroom Essays Communication in the Courtroom Essay Communication in the Courtroom Essay This paper will discuss communication techniques largely used by the attorneys. After all, who are best actors? When does communication start? The communication process begins when potential Jurors are summoned by written communication through the united states Postal system to attend court for jury selection. Each Juror is directed to the appropriate courtroom through verbal communication by court officers. Once inside the courtroom, the court clerk verbally calls out each Jurors name to complete attendance. Jurors raise their hands to acknowledge their presence. A written questionnaire Is distributed to each Juror to omelet while simultaneously viewing a video covering the history of jury duty. Judges Introduction The Judge verbally Introduces himself. As a form of Introduction, the Judge then visually and verbally directs the Jurors attention towards the court clerk. The stenographer, the court officers, and the attorneys representing the plaintiff and defendant. After introducing key players in the courtroom, the Judge gives a brief overview of how Jury duty has been conducted throughout history. Rules and procedures of the court are verbally reviewed and presented to all Jurors by the Judge. This communication process informs the jurors what to expect and allows them to feel comfortable and at ease. Jury Selection (Over Dire) The second process off court trial proceeding is Jury selection. Jury selection is also referred to as vote dire. An attorneys goal during the vole dire process is to get to know the Jury, their experiences, and any blabs or prejudices which may Influence their responsibility as jurors to reach a verdict. The attorneys other goal during this process Is to educate Ana persuade ten Jury regarding ten Tact AT ten case. Ho goals to be accomplished, appropriate and effective communication skills between he attorney and Jurors are important. Questions presented by the attorney to the Jurors include, but are not limited to: age, marital status, employment history, hobbies, volunteer activities, religious beliefs, and education. The attorney must present these questions to the Jury with thoughtful and planned verbal communication. Blackman Brinkman, 2010) While asking these questions, words such as prejudice, bias and stereotype should be avoided. Instead, focus on more neutral words like discomfort. (Blackman Brinkman, 2010) This period of questioning, during the over dire process, is an important stage of communication between the attorney and the Jurors. Gender and race related prejudices are unacceptable to society; Jurors will not openly admit their prejudices. The prosecutor and defe nse attorney must consciously select words which will offer Jurors an opportunity to share their concerns. Carefully chosen words are demonstrated in the following expert. (Blackman Brinkman, 2010) My client is an African American man. Sometimes people have strong feelings about certain groups of people that can get in the way of rendering a fair and impartial verdict. Or, some people may feel uncomfortable about a case in which an African American man is accused of attacking a white woman. Or, there may be other aspects of this case having nothing to do with my clients race or gender that make you feel uncomfortable and that we have not already discussed. If you have any such discomfort for any reason, please raise your hand. (Blackman Brinkman, 2010) Opening Statement Each attorneys opening statement is, again, an important part of communication with the Jury. In light of initial impressions, several members of the Jury interpret all of the evidence presented and form strong opinions after the statements. During this stage of communication, the attorneys exhibit both verbal and non- verbal communication skills to begin persuading the Jury in their favor. The opening statement will include not only the facts of the case, but emphasis on particular words and catch phrases to capture the Jury attention and sympathy toward each attorneys case. While the verbal language describes emotion and rationale, non verbal language is subjective, exhibited both consciously and unconsciously, and expresses emotion. Physical appearances, tone, gestures, facial expressions, and distance are all non rebel sources of communication which can modify or contradict the verbal message. Natural kinesics conveys an emotion before weve expressed it in word. (Morgan, 2008) An attorney will pay close attention to each of the Jurors body movements and facial expressions to ensure his communication is understood and holding the attention of all Jurors. Another commonly used non verbal communication an attorney uses to keep the Jury attentive is Proteomics. (Withal, 2006) Proteomics refers to the distance or space between speakers. The planned distance enhances the attorneys ability to generate Jury participation in his clients cause. He must be able to sell his client to the Jury. (Withal,2006) The attorney may physically move the podium to visually block the Jury view of the prosecutor, while simultaneously manipulating the space to provide a better visual of the defendant. Moving the pool closer to ten Jury Dog wall also project ten attorneys assonance Ana tone while he communicates his opening statement. This non-verbal communication modifies the attorneys words while provoking sympathy towards the defendant. An opening statement commonly used to gain a Jury sympathy and persuade the jurys first impression of the case, is a story telling technique. An attorney may verbally tell a story using time, personal names, and descriptive adjectives. The following expert is an example of this technique of communication: Prosecutor: This is a case of being in wrong place at the wrong time. Maria Zen left her house at 7:00 a. M. To drive to the supermarket. She put on her seat belt and drove west on Third Avenue. As she passed Little Peoples Day Care on her right, she slowed down. She was watching the road in front and the circle of children in the schoolyard on her right, when she heard a sudden screeching of tires and was smashed into by the pendant coming rapidly out of a side street on her left. At the end of the prosecutors opening statement, he will forewarn the Jury of the tactics opposing counsel will employ to counter-persuade the facts presented. The prosecutor will advise the Jury defense counsel will likely use specific arguments to persuade them to arriving at the scenario of the defendant. By verbally communicating to the Jury what to expect from defendants counsel, the prosecutor forms a trust with the Jury. At this time, several Jurors formulate opinions as to the guilt of the defendant. Defendants attorney will have to work twice as hard on his opening statement to persuade the Jury the prosecutor has Just manipulated their minds. Witnesses The goal of both attorneys is to interview witnesses to secure information on behalf of their clients, persuade the witnesses to answer questions to the advantage of their case, and to establish credibility of the witness. (Grub Homey, 2003) For an effective interview process, both attorneys must prepare, maintain control, listen, be alert, be patient and most of all be a good actor. (p. 140) Preparation includes pre-trial interviews with attorneys witnesses and review of case. In the courtroom, the prosecutor will verbally question the witness regarding the facts of the case. His tone and volume of his voice should be audible to the Judge, the witness and the jury. The questions the prosecutor presents to the witness should be asked in a chronological order for the Jury to absorb. Long winded verbal statements will derail the Jury understanding of the facts. The Jury will focus on the witnesss appearance, body language and speech. A witness, such as a security guard, should present himself in a clean, crisp professional uniform as well as a clean shaven appearance. While answering questions his body should not slouch but instead be upright and attentive, hands on lap, with eyes focused on the attorney or Jury. Several Jurors will see the witness as a professional incapable of giving misleading information due to rank or social standing. The prosecutor must prove the defendants guilt through burden of evidence. In order to prove the guilt of the defendant, the prosecutor must present evidence beyond the reasonable doubt. Written communications such as affidavits, medical records and other legal documents are presented to the court to support verbal facts given by the attorney. Verbal testimony is given by witnesses to the prosecutor and witnesses to the defense attorney. The prosecutor must verbally interview his wellness to gather cements Tact to support Nils case. He must teen Walt Tort Nils opportunity to cross examine the defense witness in order to persuade the testimony to support his case and discredit the testimony. Effective use of tone, body language and clear and accurate statements will provide him with the effective tools to persuade. The defense attorney does not have to prove the innocence of the defendant. The defendant can choose not to testify. It is the responsibility of the offense attorney to persuade the Jury the testimony provided by the prosecutors witnesses and written documentation provided by the prosecutor is not sufficient evidence to prove defendants guilt beyond reasonable doubt. Defendants attorney will use persuasive language, eye contact with the Jury and will, again, use techniques to gain the sympathy of the Jury towards the defendant. Closing Statement The prosecutor will verbally communicate to the Jury the evidence presented to the court. He will remind the Jury of the credibility of his witnesses as well as point out written documentation to support his case. The burden of responsibility will be laid at the feet of Jury by the prosecutor. He will tell the Jury it is their civil and judicial responsibility to see through the smoke screen presented by the defense. The prosecutor will not have another opportunity to speak with the Jury or refute the defense attorneys closing statement and will verbally communicate this message to the Jury in hopes the Jury will close their minds to the defense attorneys closing statement. The defense attorney will verbally tear apart the evidence presented to the Jury by the prosecutor. He will try to discredit the testimony given by the prosecutors attorney as well as demonstrate the written documentation is not sufficient to prove the defendants guilt. Eye contact by the defense attorney is shared equally with the jury and the defendant to solidify the tactic of sympathy. Just as the prosecutor laid the burden of responsibility at the Jury feet, so does the defense attorney. Such phrases as let the little guy be the on top this time, show the prosecutor he hasnt pulled the wool over your eyes, do what you feel is right, and the prosecution Just hasnt done his Job of establishing proof beyond the reasonable doubt are all persuasive tactics used in verbal communication. Deliberations The Judge will verbally go over the rules and procedures the Jury should follow during deliberations. He will recite the charges in the case and remind the Jury there must be sufficient evidence to prove the defendants guilt beyond the reasonable doubt. The Judge will then appoint a Jury chairman who will be responsible for organizing the deliberations, acting as liaison between the court and the Jury, and reading the final verdict of the Jury. The leaders and the followers are quickly labeled inside the Jury deliberation room. The leaders will all begin by verbally communicating the facts presented. The followers will listen, agreeing with opinions of the leaders. In order to arrive at a verdict, the Jury reviews photographs, written documentation and verbal testimony. In most cases, as previously stated, there will be several Jurors who have made their decision of guilt or innocence based on either the opening statements or the closing statements. The crucial Job of picking through the evidence is left with a handful of jurors to decide a verdict. During alternations Jury memoirs oxen I D t Don vernal Ana non vernal Torts AT communication. Verbal communication is exhibited through the use of volume or one as well as persuasive statements towards either sides case. Non verbal communication is exhibited through body language. Some Jurors may Just sit in silence indicating the desire to be a follower and to decide with the majority of the jury. Other forms of non-verbal communication exhibited by the Jury are body movements such as standing while presenting opinions, and slamming of fist on a conference table to show dance towards their point of view. In the end, the Jury comes to a verdict and proceeds back into the courtroom. Verdict At the end of deliberations, the Jury takes a vote by show of hands or paper ballot. The Jury then notifies the court officer they have come too verdict. The court officer escorts the Jury back into the court room to relay the verdict. The Judge will verbally recite each charge one at a time. The Jury chairman will either say guilty or not guilty. The Judge will then render the final verdict by verbally communicating each charge with each of the verdicts to follow. After the verdict is read, counsel will again communicate with the Jury through non verbal body language such as rolling of eyes in displeasure of the verdict or a positive nod of the head in agreement of the redirect. Finally, the Judge verbally thanks the Jury for conducting their civil and judicial duty in his courtroom. Conclusion Several types of communication skills are exhibited in the courtroom during a court trial proceeding. Verbal communication is demonstrated through tone, volume, emphasis on words or phrases and through persuasive language skills. Non-verbal communication is exhibited through the use of kinesics and proteomics both enhancing the each attorneys verbal communication. Although testimony of witnesses and exhibits are all forms of communication, the most crucial ammunitions between the attorneys and the Jury are during over dire, the opening statements, and closing statements.